These two series explore the anonymisation, abstraction, and psychological survival of the human form across distinct environmental landscapes. By consistently obscuring the face, the work strips the figures of traditional narrative portraiture, turning the body, whether collective or singular, into a sculptural site of performance, constraint, and visceral tension.

At their core these images confront a profound sense of grief—both personal and cultural—surrounding societal polarizations of the masculine and feminine. The images navigate the pain of these divides, utilizing raw physical restriction to mirror internal psychological fracturing. The progression through the images serves as a ritualistic invocation to resurrect the 'feminine principle'—a state of receptivity, fluid intuition, and elemental surrender essential to all individuals across the entire gender spectrum, whether identifying as men, women, or they/them.

My Father’s Eulogy is a Mask

Piezography print : Lucid Imaging